Thursday, September 15, 2011

How To Write A Song

How To Write A Song


Did you ever wish that it was your song playing on the radio? It could be. It is not that hard once you know the formula. With a puny creativity, a puny knowledge, a puny luck and a good recipe to follow, your song could be one of the next biggest hits.

Songwriting comes easy for some, and is very difficult for others. I have literally written songs in my sleep, and immediately upon awaking, written it as quickly as I could get the words on down on paper.

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What I want to discuss here is favorite songwriting, like the songs you hear on the radio. A good pop song, either rock, country, middle of the road, is composed of two things: a catchy tune and some good lyrics.


There is a recipe that most great songwriters use to write great songs. It regards the buildings used to write a song. Granted, it is music and it is art, so the rules are not hard and fast. But if you want to growth your chances of getting your song on the radio, it is a good starting point.

Here is the formula. Verse, chorus, verse, chorus, bridge, chorus.

Write that down on paper leaving plentifulness of space between each word and this will be your script.

Verse

The verse is the part of the song that tells the story, the part that leads to the chorus. Each verse is ordinarily different, telling a dissimilar part of, or adding to, the story. It ordinarily explains how you got to the things you are singing about in the chorus.

Chorus.

The chorus is the part of the song that is repeated after each verse. The lyrics are ordinarily the same each time the chorus comes around. The verse ordinarily leads to the chorus, and the chorus is ordinarily the pay off for listening to the verse. Does that make sense?

Here is a lame example (you did not think I would give you my best work, did you?):

(verse)

My dog is sick, he's got a tick

He's my best friend, don't let it end

(chorus)

Oh, woe is me, can't you see

Woe is me, will I ever be free

(verse)

My car broke down, just out of town

It got towed in, but it's broke again

(chorus)

Oh, woe is me, can't you see

Woe is me, will I ever be free

Now, if you would kindly stop laughing at my lame song for a minute, I want you to think about either or not you understand my point. Songwriting is story telling. The verse tells the problems, the chorus expresses the results or the emotions.

All right, now that you have that mastered, let's tackle the bridge. Ah, yeah, there is more to the song than the pain and the release. We need the diversion. That is what the bridge is; it is the diversion from the verse and the chorus.

The bridge may have a slightly dissimilar melody to it, or it could even have a dissimilar rhythm or a dissimilar tempo (Elvis' "Suspicious Minds" did a great job on this technique).

Let's go back to the lame song and add a bridge:

(verse)

My dog is sick, he's got a tick

He's my best friend, don't let it end

(chorus)

Oh, woe is me, can't you see

Woe is me, will I ever be free

(verse)

My car broke down, just out of town

It got towed in, but it's broke again

(chorus)

Oh, woe is me, can't you see

Woe is me, will I ever be free

(bridge)

Tomorrow is a great day, I've got a new truck on the way

My dog just had a flea it seems, so once again I'll live my dreams

(chorus)

Oh, woe was me, can't you see

Woe was me, but now I'm free

The bridge offers a solution to the problems I was having. You don't want to leave your listener on the edge of suicide, you want to give them hope.

Notice, I also changed up the wording of the chorus. This was done to reflect my new found joy.

One more thing on formula. It can be anyway you want, but most verses and chorus come in lines of 4. So, instead of this:

(verse)

Oh, woe is me, can't you see

Woe is me, will I ever be free

(verse)

My car broke down, just out of town

It got towed in, but it's broke again

it would be:

Oh, woe is me, can't you see

Woe is me, will I ever be free

My car broke down, just out of town

It got towed in, but it's broke again

The same goes for the chorus. Again, if you are creative, do it any way you want. But for a new songwriter, this gives you some guidelines to scratch out and start carving out your new creation.

One more thing, do not make the notes to the melody so high that your fans cannot sing along. We are literally all not Stevie Wonder.

How To Write A Song


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Wednesday, September 14, 2011

Mr. Dj STAGE LIGHTING SL700 Stage Light, Black

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Tuesday, September 13, 2011

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Monday, September 12, 2011

6 vital Elements To Getting The Best Rock Guitar Tone

6 vital Elements To Getting The Best Rock Guitar Tone


Getting awesome rock guitar tone is not hard. I have heard professional players play straight through low-quality, out-of-tune, distorted tool and it sounded great! This says 2 things; one - your tone is in your hands, two - distortion is a good thing and on your side! In most history of the speaker, the goal was to be crystal clear, not until some rocker decided to turn his amp up too loud and distort the sound,real rock guitar tone was born. As an added fact, I forget who, but some celebrated guitarist surely used to buy radio brand shack speakers (because they sounded the worst), and then cut them with razor blades to get the sound they were seeing for... Beautiful. Ok, let's move on to the 7 valuable elements to getting the best rock guitar tone.

1. Big Frets - While some citizen would disagree with me, especially because Les Paul's are known for not having huge frets, while some convention models have awesome, fat, big frets, big frets are valuable for many players to play surely and get the tone of rock guitar. Big, high frets give you a lot of space for your fingers to grip the strings, manipulate, move, bend, slide, tap and sense the strings. This is why many rock, shred engine guitars have big, high frets... Ibanez's, Jackson's, Stevie Ray Vaughan Strat's, Bc Rich's, etc... Because high frets are good for rocking and shredding on, simple as that. The fret size that has been known straight through time as fat, juicy frets is the Dunlop 6105 Jumbo Frets.

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2. Big Strings - Big strings are valuable to big rock guitar tone because they consist of the more mass, therefore move more air, creating a larger magnetic field, resulting in the speakers involving more, in essence, rocking more! Big, fat, juicy strings bring out the lows of the guitar and also make your high's more precise, louder and evenly balanced in volume to the other strings. Bigger strings also give you more grip, allowing you more operate and manipulation over the guitar strings. Big strings are even more valuable on guitars that are de-tuned... Once you de-tune a guitar, the strings slack a lot and when you attack the strings hard they go out of tune, so most rock guys who de-tune most of the time; like down to D, C, B, A should use some pretty heavy strings. My advice is use at least 13's if you are tuning down crazy low. However, if you are a regular or Eb tuner, try to use 10's or 11's on your guitar, they won't rip your hands apart and will give you much better tone. For your info, Stevie Ray Vaughan used 13's and it is said he used to have to super glue his fingertips on after shows... That's rocking!


3. Humbuckers - You want humbuckers on your guitar for a consolidate reasons. The main one is that is produces more sounds, it is 2 magnets, not just 1, so there is more sustain, tone, and most of all, when pushed, create more distortion... Hoo ray! We love distortion here! an additional one thing that makes humbuckers cooler than particular coils is that they are quite. Don't you hate how particular coils buzz? Isn't it surely annoying when you think there is man in the room with you, but it is just the buzz of your neck pickup? I know you have... Admit it... Anyways, humbuckers are quite, yield more sound, more distortion, killer preserve and most of all look cool! Go out and get some humbuckers for your axe today. It's ok, you won't be dissapointed. Even the cool mini humbuckers that fit into a particular coil slot sound great and if you surely don't want to miss your particular coil twang, you can get a coil splitter or a push-pull volume or tone operate to switch your mini humbucker into a particular coil. Aren't humbuckers great?

4. Locking Tremolo system (aka Floyd Rose) - Why do you need a locking tremolo system? You need it because to do all the cool airplane whammy divebombs, kitten purrs, and greatest harmonic divebombs you need a locking tremolo system. Why? because they do 2 things, the first is stay in tune during all this chaos and abuse you put your poor guitar through, but also because these systems are the only ones designed for these kind of industrialized guitar, and musical maneuvers, attempted by many, but flourishing and perfected by few. If you want to see some cool stuff on guitar divebomb whammy's check out Van Halen, Steve Vai, Joe Satriani or some unknown guys on YouTube who are surely great! Go have a ball going crazy on your new locking tremolo system equipped guitar, and have a smile on your face after because your beauty if still in tune, ready to rock on... Wherever you take it!

5. Distortion - What is distortion? Why is it prominent in the equation of getting good rock guitar tone? Well, distortion is the crackling of sound. You probably know that, but just in case, the ask now becomes, what is a 'good' crackling of sound. The underground is in the ear of the beholder, so surely only you can decide what good distortion is. Try lots of pedals and dissimilar amps and try to figure out what kind of distortion makes you sound best. Some citizen like bluesy, overdriven type of distortion, while some citizen like total chaos, fire-breathing inferno distortion, and let me tell you, if you are seeing for it, it is out there, in some strange colored pedal. Distortion helps us cover up our mistakes, but not only that, but it makes you feel cooler inside, preserve notes and make them breathe, and much more. Try to do some investigate on guitarist that you like their tone, and see if you can find what kind of pedal and amps they use.

6. Feeling - If there is one thing that you need have to get the best rock guitar tone you are capable of, it is to put all your feeling, concentration and focus on what you are doing. Once, back when I was in music school, a well respected musician said to me, was "Once you are done learning all that stuff, you have to learn to forget it and then the magic starts to happen!" So, feel the music, feel it in your heart... Take all things you know and touch the celestial, play the things you surely want to, let the music take operate and just give it all your energy letting the spirit of music flow straight through row body, into the strings, straight through the cord, into the amp and development the speakers wail! Feeling... It is a beautiful thing

6 vital Elements To Getting The Best Rock Guitar Tone


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Sunday, September 11, 2011

American DJ Supply ComScan LED LED Lighting

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Saturday, September 10, 2011

American DJ Supply Hyper Gem DMX LED Lighting

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Friday, September 9, 2011

American DJ Supply M-1212 Special Effects Lighting and Equipment

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